DZOFILM Pavo 2x anamorphic Prime Macro 65mm T2.8 - Neutral Coating - PL&EF

SKU:: 627150

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4,161.– 3,438.84

Ships in approx. 2 weeks after ordering

Highlights

2x Anamorphic Squeeze: Delivers the classic widescreen look with iconic oval bokeh and compressed backgrounds.
Macro Capabilities: Features a 0.366m minimum focus distance and 1:2 magnification for detailed close-up cinematography.
Neutral Flare Coating: Produces natural, color-accurate horizontal flares that adapt to your lighting environment.
Interchangeable Mounts: Includes both PL and EF mounts to ensure compatibility with professional camera systems.
Fast T2.8 Aperture: Provides excellent low-light performance and precise control over depth of field.
Compact Cine Design: Lightweight build optimized for use on gimbals, steadicams, and handheld rigs.

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DZOFILM Pavo 2x anamorphic Prime Macro 65mm T2.8 - Neutral Coating - PL&EF product description

Cinematic Macro Excellence: DZOFILM Pavo 65mm T2.8

The DZOFILM Pavo 65mm T2.8 Macro is a specialized 2x anamorphic prime designed to bridge the gap between cinematic widescreen aesthetics and intricate close-up cinematography. Part of the acclaimed Pavo series, this lens offers a unique combination of a 2x squeeze factor and a dedicated macro focus capability, making it an essential tool for commercial, product, and narrative filmmakers.

True 2x Anamorphic Squeeze

Unlike 1.33x or 1.5x alternatives, the Pavo 65mm delivers a classic 2x anamorphic look. This results in the iconic oval bokeh and a highly compressed background that separates subjects with professional precision. When de-squeezed, it provides the expansive 2.39:1 aspect ratio synonymous with high-end cinema.

Exceptional Macro Performance

With a close focus distance of 0.366m and a 1:2 magnification ratio, this lens allows cinematographers to capture stunning detail without losing the anamorphic character. It is ideal for capturing textures, eyes, or product details while maintaining the cinematic depth of field provided by the T2.8 aperture.

Neutral Coating for Natural Flares

This version features a Neutral Coating, designed for filmmakers who prefer a more natural and controlled look. Unlike blue or gold flares, the neutral coating responds to the light source's actual color, providing subtle, horizontal flares that do not overpower the frame, offering maximum flexibility in post-production.

Professional Build and Versatility

Dual Mount System: Includes both PL and EF mounts for compatibility with a wide range of professional cinema cameras.
Compact Design: Lightweight construction suitable for gimbals, drones, and handheld rigs.
Consistent Gear Placement: Standardized focus and iris gears for seamless lens changes on set.