The Vocas EL-40 Eyepiece Loupe brings a magnetic, tool-free magnified viewfinder to the Sony PXW-Z300 and FX6 — designed around one loupe, swappable brackets, and the operators who rely on what they see.
Vocas is pleased to announce the introduction of the EL-40 Eyepiece Loupe, a precision-engineered magnified viewfinder designed for operators who depend on their camera's LCD in demanding conditions. Featuring high-quality optics, a tool-free magnetic mounting system, and a modular design that adapts to multiple Sony cameras, the EL-40 turns any compatible LCD into a sunlight-proof, ergonomic eyepiece. The loupe is available now for the Sony PXW-Z300 and the Sony FX6, with additional camera-specific attachments in development.
Blackmagic Design used its April 2026 pre-NAB push to drop one of the largest single-day product waves in the company's history. The unifying theme is unmistakable: 100G Ethernet and SMPTE-2110 run through the entire signal chain, from the sensor to the console to shared storage. Alongside the hardware, DaVinci Resolve receives a major version bump with a brand-new Photo page and a substantial batch of AI features. Here is the full list of what was introduced this month, with European pricing (ex-VAT) and expected availability.
Cameras
URSA Cine 12K LF 100G
The flagship URSA Cine 12K LF gets a 100G Ethernet port and a dedicated SMPTE-2110 Live mode. In that mode the camera outputs real-time IP video up to 2160p60, and the 100G variant pushes live output up to 440 fps for high-frame-rate slow-motion replay in sports and premium live broadcast. It keeps the 12K large-format
Anamorphic lenses have always carried a certain mystique — the stretched bokeh, the horizontal flares, the widescreen drama. But for most independent filmmakers, that look has come with a painful trade-off: weight, size, cost, or all three at once.
The new DZOFILM Arcana series changes that equation. These full-frame 1.5X hybrid anamorphic primes deliver the organic character of classic 2X anamorphic glass in a body that weighs around 700 grams — genuine anamorphic imagery from a lens you can run on a gimbal all day.
Why 1.5X with 2X character matters
DZOFILM combined a 1.5X squeeze ratio with a 14-blade dynamic elliptical iris that recreates the iconic oval "waterfall" bokeh you'd normally only get from a 2X design. The result: practical 1.5X desqueeze compatibility with unmistakable anamorphic depth in every frame.
A front-cylindrical optical design with environmentally tinted white coating produces
Sony has released a brand-new, major system software update (Version 6.00) for the popular Sony FX6 cinema camera. This update brings an impressive list of improvements and new features, including the beloved BIG6 home screen, Blackmagic RAW support, and improved autofocus. Do you own an ILME-FX6T, ILME-FX6TK, or ILME-FX6V? Then keep reading!
In this blog post, we will list the most important new features for you and explain what you need to pay close attention to before performing the update.
⚠️ Important warning in advance: Settings will be lost!
Before we dive into the cool new features, there is one crucial step you absolutely cannot forget.
When upgrading your Sony FX6 from version 5.02 (or earlier) to version 6.00, your current settings will not be carried over. The camera will completely reset to the factory defaults. Do you want
Nikon ZR Firmware V1.10: production-focused upgrades
Nikon has released Firmware Version 1.10 for the Nikon ZR full-frame sensor camera. This update is packed with practical improvements aimed at real production workflows—think cleaner clip organisation, more dependable exposure feedback, longer uninterrupted recording, dependable timecode synchronisation, expanded LUT handling, and smarter power-state visibility.
Below you find the most interesting new features and improvements. If you’re running the ZR in multi-camera environments, longer interviews, documentary setups, or fast-paced shoots, V1.10 is well worth a look.
Adopts RED camera file naming conventions
Take advantage of this Sony promotion to switch to the BURANO at an extra attractive price!
When you trade in an eligible camera upon purchasing a BURANO, you will receive €4000 EXTRA trade-in value. This is on top of the trade-in value of the camera itself, making the purchase of a BURANO even more appealing.
Interested? Contact us to discuss the possibilities.
Eligible Cameras
Sony - FX9, FS7 M1 and M2, F5/55
ARRI - Alexa Classic, XT or Plus, Amira
RED - Ranger Helium, EPIC-W Helium, Gemini 5K
Canon - C500 / C300 Series
Panasonic - Varicam
Conditions
The promotion runs until 30-9-2026
The
The Vocas EL-40 Eyepiece Loupe brings a magnetic, tool-free magnified viewfinder to the Sony PXW-Z300 and FX6 — designed around one loupe, swappable brackets, and the operators who rely on what they see. Vocas is pleased to announce the introduction of the EL-40 Eyepiece Loupe, a precision-engineered magnified viewfinder designed for operators who depend on their camera's LCD in demanding conditions. Featuring high-quality optics, a tool-free magnetic mounting system, and a modular design that adapts to multiple Sony cameras, the EL-40 turns any compatible LCD into a sunlight-proof, ergonomic eyepiece. The loupe is available now for the Sony PXW-Z300 and the Sony FX6, with additional camera-specific attachments in development.
Blackmagic Design used its April 2026 pre-NAB push to drop one of the largest single-day product waves in the company's history. The unifying theme is unmistakable: 100G Ethernet and SMPTE-2110 run through the entire signal chain, from the sensor to the console to shared storage. Alongside the hardware, DaVinci Resolve receives a major version bump with a brand-new Photo page and a substantial batch of AI features. Here is the full list of what was introduced this month, with European pricing (ex-VAT) and expected availability. Cameras URSA Cine 12K LF 100G The flagship URSA Cine 12K LF gets a 100G Ethernet port and a dedicated SMPTE-2110 Live mode. In that mode the camera outputs real-time IP video up to 2160p60, and the 100G variant pushes live output up to 440 fps for high-frame-rate slow-motion replay in sports and premium live broadcast. It keeps the 12K large-format
Anamorphic lenses have always carried a certain mystique — the stretched bokeh, the horizontal flares, the widescreen drama. But for most independent filmmakers, that look has come with a painful trade-off: weight, size, cost, or all three at once. The new DZOFILM Arcana series changes that equation. These full-frame 1.5X hybrid anamorphic primes deliver the organic character of classic 2X anamorphic glass in a body that weighs around 700 grams — genuine anamorphic imagery from a lens you can run on a gimbal all day. Why 1.5X with 2X character matters DZOFILM combined a 1.5X squeeze ratio with a 14-blade dynamic elliptical iris that recreates the iconic oval "waterfall" bokeh you'd normally only get from a 2X design. The result: practical 1.5X desqueeze compatibility with unmistakable anamorphic depth in every frame. A front-cylindrical optical design with environmentally tinted white coating produces
Sony has released a brand-new, major system software update (Version 6.00) for the popular Sony FX6 cinema camera. This update brings an impressive list of improvements and new features, including the beloved BIG6 home screen, Blackmagic RAW support, and improved autofocus. Do you own an ILME-FX6T, ILME-FX6TK, or ILME-FX6V? Then keep reading! In this blog post, we will list the most important new features for you and explain what you need to pay close attention to before performing the update. ⚠️ Important warning in advance: Settings will be lost! Before we dive into the cool new features, there is one crucial step you absolutely cannot forget. When upgrading your Sony FX6 from version 5.02 (or earlier) to version 6.00, your current settings will not be carried over. The camera will completely reset to the factory defaults. Do you want
Nikon ZR Firmware V1.10: production-focused upgrades Nikon has released Firmware Version 1.10 for the Nikon ZR full-frame sensor camera. This update is packed with practical improvements aimed at real production workflows—think cleaner clip organisation, more dependable exposure feedback, longer uninterrupted recording, dependable timecode synchronisation, expanded LUT handling, and smarter power-state visibility. Below you find the most interesting new features and improvements. If you’re running the ZR in multi-camera environments, longer interviews, documentary setups, or fast-paced shoots, V1.10 is well worth a look. Adopts RED camera file naming conventions
Take advantage of this Sony promotion to switch to the BURANO at an extra attractive price! When you trade in an eligible camera upon purchasing a BURANO, you will receive €4000 EXTRA trade-in value. This is on top of the trade-in value of the camera itself, making the purchase of a BURANO even more appealing. Interested? Contact us to discuss the possibilities. Eligible Cameras Sony - FX9, FS7 M1 and M2, F5/55 ARRI - Alexa Classic, XT or Plus, Amira RED - Ranger Helium, EPIC-W Helium, Gemini 5K Canon - C500 / C300 Series Panasonic - Varicam Conditions The promotion runs until 30-9-2026 The