Nikon ZR Firmware Version 1.10 with interesting new features and improvements
Nikon ZR Firmware V1.10: production-focused upgrades
Nikon has released Firmware Version 1.10 for the Nikon ZR full-frame sensor camera. This update is packed with practical improvements aimed at real production workflows—think cleaner clip organisation, more dependable exposure feedback, longer uninterrupted recording, dependable timecode synchronisation, expanded LUT handling, and smarter power-state visibility.
Below you find the most interesting new features and improvements. If you’re running the ZR in multi-camera environments, longer interviews, documentary setups, or fast-paced shoots, V1.10 is well worth a look.
Adopts RED camera file naming conventions
Instead of the familiar DSC naming pattern, the ZR V1.10 firmware update introduces RED-style clip naming, creating a distinct, video-first filename for each recorded take. The result is footage that stays easier to organise and track across bigger productions—especially when multiple cameras and teams are involved. The RED-style names also appear in live view, helping streamline on-set media handling and making the workflow friendlier for DITs on busy, multi-camera days.


Precision Exposure. Every Take, Every Time.
Gain tighter control over exposure with a clear, real-time highlight clipping indicator. When recording in R3D NE 12-bit, a red reference line is shown on both the waveform monitor and histogram, indicating the exact white-clip threshold for the chosen ISO. That visual cue makes it easier to spot (and fix) overexposure as it happens—so decisions are faster, confidence is higher, and image quality stays where you want it.
Continuous video recording up to 360 minutes
Keep rolling for longer without forced breaks. With firmware V1.10, the ZR now supports continuous video recording for up to 6 hours (360 minutes*). That’s a strong fit for long interviews, concerts, documentary coverage, and other extended sessions—so you can stay focused on the moment, not your remaining record time.
* Applicable settings: [ProRes 422 HQ 10-bit (MOV)] (excluding frame rates 100p to 119.88p), [H.265 10-bit (MOV)] (excluding frame rates 100p to 239.76p), [H.265 8-bit (MOV)] (excluding frame rates 100p to 239.76p), and [H.264 8-bit (MP4)] (excluding slow-motion video). RAW recording remains limited to a maximum of 125 minutes, as before.


Wired Timecode Input with Jam-Sync
Skip the Bluetooth pairing step—wired timecode input is now available via the 3.5 mm microphone jack, with timecode continuing automatically even if the cable is unplugged. This direct, cable-based approach is fast and dependable for synchronisation. Jam-sync only resets when the camera is powered down, helping you stay aligned throughout the shoot day.

Maximum Creative Control
Firmware V1.10 expands LUT handling: up to 50* LUTs can be displayed from the memory card, with 10 installable in-camera for quick access. Combined with the option to select R3D NE 12-bit recording even when using AUTO mode, you get high-end image quality and creative flexibility without needing to change your everyday operating style.
* Files beginning with "." generated by Mac are excluded from display.

Smarter Power Awareness
A new Power-on Lamp Energy Saver option in the Setup menu makes it easier to confirm the camera’s power state at a glance. Choose to keep the power-on lamp illuminated continuously or have it switch off automatically. It’s a simple change that helps avoid surprises—especially when the monitor is closed—and can reduce accidental battery drain.
Our take
Overall, V1.10 reads like a filmmaker-friendly update: better clip naming for larger jobs, clearer exposure references in RAW workflows, longer recording headroom, practical timecode input, more LUT flexibility, and small usability touches that matter on set.
If you’re running the ZR on a rig and want to optimise your setup—monitoring, timecode workflows, mounting, balance, or general on-set ergonomics—Vocas is here to help you build a system that stays reliable under pressure.