Anamorphic lenses have always carried a certain mystique — the stretched bokeh, the horizontal flares, the widescreen drama. But for most independent filmmakers, that look has come with a painful trade-off: weight, size, cost, or all three at once.
The new DZOFILM Arcana series changes that equation. These full-frame 1.5X hybrid anamorphic primes deliver the organic character of classic 2X anamorphic glass in a body that weighs around 700 grams — genuine anamorphic imagery from a lens you can run on a gimbal all day.
Why 1.5X with 2X character matters
DZOFILM combined a 1.5X squeeze ratio with a 14-blade dynamic elliptical iris that recreates the iconic oval "waterfall" bokeh you'd normally only get from a 2X design. The result: practical 1.5X desqueeze compatibility with unmistakable anamorphic depth in every frame.
A front-cylindrical optical design with environmentally tinted white coating produces
Sony has released a brand-new, major system software update (Version 6.00) for the popular Sony FX6 cinema camera. This update brings an impressive list of improvements and new features, including the beloved BIG6 home screen, Blackmagic RAW support, and improved autofocus. Do you own an ILME-FX6T, ILME-FX6TK, or ILME-FX6V? Then keep reading!
In this blog post, we will list the most important new features for you and explain what you need to pay close attention to before performing the update.
⚠️ Important warning in advance: Settings will be lost!
Before we dive into the cool new features, there is one crucial step you absolutely cannot forget.
When upgrading your Sony FX6 from version 5.02 (or earlier) to version 6.00, your current settings will not be carried over. The camera will completely reset to the factory defaults. Do you want
Nikon ZR Firmware V1.10: production-focused upgrades
Nikon has released Firmware Version 1.10 for the Nikon ZR full-frame sensor camera. This update is packed with practical improvements aimed at real production workflows—think cleaner clip organisation, more dependable exposure feedback, longer uninterrupted recording, dependable timecode synchronisation, expanded LUT handling, and smarter power-state visibility.
Below you find the most interesting new features and improvements. If you’re running the ZR in multi-camera environments, longer interviews, documentary setups, or fast-paced shoots, V1.10 is well worth a look.
Adopts RED camera file naming conventions
Take advantage of this Sony promotion to switch to the BURANO at an extra attractive price!
When you trade in an eligible camera upon purchasing a BURANO, you will receive €4000 EXTRA trade-in value. This is on top of the trade-in value of the camera itself, making the purchase of a BURANO even more appealing.
Interested? Contact us to discuss the possibilities.
Eligible Cameras
Sony - FX9, FS7 M1 and M2, F5/55
ARRI - Alexa Classic, XT or Plus, Amira
RED - Ranger Helium, EPIC-W Helium, Gemini 5K
Canon - C500 / C300 Series
Panasonic - Varicam
Conditions
The promotion runs until 30-9-2026
The
The Nikon ZR marks a bold new chapter in filmmaking as the first model in the Nikon Z Cinema Series, created in collaboration with RED Digital Cinema. Combining Nikon’s renowned optics and autofocus technology with RED’s legendary color science, the ZR delivers professional-grade cinematic quality in an ultra-lightweight full-frame body.
FX2: Full-frame Cinema and Photography in One
The FX2 features a full-frame sensor with beautiful bokeh, a 33 MP Exmor R™ sensor, and up to 15+ stops of dynamic range via S-Log3, allowing you to capture many details in both light and dark areas.
Thanks to Dual Base ISO (800 and 4000), the FX2 delivers optimal image quality in various lighting conditions. The ISO for video can be expanded to 102400, making it ideal for low light. The camera supports various recording formats, including 4:2:2 10-bit All-Intra and XAVC S-I DCI 4K at 24p, for flexible post-production.
According to cinematographer Simone Sadocco, the dual base ISO provides “clean, noise-free images at both settings, with a smooth transition.”
Long-lasting and Flexible Recording
Thanks to internal cooling, the FX2 can record continuously in 4K 60p for up to 13 hours. Slow motion up to 2.5x (60 fps in 4K) and 5x (120 fps in Full HD) is possible.
Anamorphic lenses have always carried a certain mystique — the stretched bokeh, the horizontal flares, the widescreen drama. But for most independent filmmakers, that look has come with a painful trade-off: weight, size, cost, or all three at once. The new DZOFILM Arcana series changes that equation. These full-frame 1.5X hybrid anamorphic primes deliver the organic character of classic 2X anamorphic glass in a body that weighs around 700 grams — genuine anamorphic imagery from a lens you can run on a gimbal all day. Why 1.5X with 2X character matters DZOFILM combined a 1.5X squeeze ratio with a 14-blade dynamic elliptical iris that recreates the iconic oval "waterfall" bokeh you'd normally only get from a 2X design. The result: practical 1.5X desqueeze compatibility with unmistakable anamorphic depth in every frame. A front-cylindrical optical design with environmentally tinted white coating produces
Sony has released a brand-new, major system software update (Version 6.00) for the popular Sony FX6 cinema camera. This update brings an impressive list of improvements and new features, including the beloved BIG6 home screen, Blackmagic RAW support, and improved autofocus. Do you own an ILME-FX6T, ILME-FX6TK, or ILME-FX6V? Then keep reading! In this blog post, we will list the most important new features for you and explain what you need to pay close attention to before performing the update. ⚠️ Important warning in advance: Settings will be lost! Before we dive into the cool new features, there is one crucial step you absolutely cannot forget. When upgrading your Sony FX6 from version 5.02 (or earlier) to version 6.00, your current settings will not be carried over. The camera will completely reset to the factory defaults. Do you want
Nikon ZR Firmware V1.10: production-focused upgrades Nikon has released Firmware Version 1.10 for the Nikon ZR full-frame sensor camera. This update is packed with practical improvements aimed at real production workflows—think cleaner clip organisation, more dependable exposure feedback, longer uninterrupted recording, dependable timecode synchronisation, expanded LUT handling, and smarter power-state visibility. Below you find the most interesting new features and improvements. If you’re running the ZR in multi-camera environments, longer interviews, documentary setups, or fast-paced shoots, V1.10 is well worth a look. Adopts RED camera file naming conventions
Take advantage of this Sony promotion to switch to the BURANO at an extra attractive price! When you trade in an eligible camera upon purchasing a BURANO, you will receive €4000 EXTRA trade-in value. This is on top of the trade-in value of the camera itself, making the purchase of a BURANO even more appealing. Interested? Contact us to discuss the possibilities. Eligible Cameras Sony - FX9, FS7 M1 and M2, F5/55 ARRI - Alexa Classic, XT or Plus, Amira RED - Ranger Helium, EPIC-W Helium, Gemini 5K Canon - C500 / C300 Series Panasonic - Varicam Conditions The promotion runs until 30-9-2026 The
The Nikon ZR marks a bold new chapter in filmmaking as the first model in the Nikon Z Cinema Series, created in collaboration with RED Digital Cinema. Combining Nikon’s renowned optics and autofocus technology with RED’s legendary color science, the ZR delivers professional-grade cinematic quality in an ultra-lightweight full-frame body.
FX2: Full-frame Cinema and Photography in One The FX2 features a full-frame sensor with beautiful bokeh, a 33 MP Exmor R™ sensor, and up to 15+ stops of dynamic range via S-Log3, allowing you to capture many details in both light and dark areas. Thanks to Dual Base ISO (800 and 4000), the FX2 delivers optimal image quality in various lighting conditions. The ISO for video can be expanded to 102400, making it ideal for low light. The camera supports various recording formats, including 4:2:2 10-bit All-Intra and XAVC S-I DCI 4K at 24p, for flexible post-production. According to cinematographer Simone Sadocco, the dual base ISO provides “clean, noise-free images at both settings, with a smooth transition.” Long-lasting and Flexible Recording Thanks to internal cooling, the FX2 can record continuously in 4K 60p for up to 13 hours. Slow motion up to 2.5x (60 fps in 4K) and 5x (120 fps in Full HD) is possible.