Cine primes

The ARRI Master Prime 35mm/T1.3 delivers exceptional resolution and contrast. Co-developed with ZEISS, it offers zero distortion and elite speed.

The ARRI Master Prime 35mm T1.3 offers unparalleled optical performance, zero geometric distortion, and virtually no lens breathing for elite cinematography.

Experience organic large-format cinematography with the ARRI Signature Prime 35mm T1.8. Features LPL mount, LDS-2 data, and lightweight magnesium housing.

ARRI Signature Prime 35mm/T1.8: Large-format cine lens delivering organic images, natural skin tones, and creamy bokeh. Lightweight magnesium LPL mount.

Atlas Kaizen 35mm Anamorphic Prime for large-format cinema. Features 1.5x squeeze, LPL mount, T2.6 aperture, and 65mm format coverage. Part of 5-lens set.

Elevate your cinematography with the Canon Sumire Prime 35mm T1.5. A full-frame PL-mount lens offering a unique cinematic look and stunning bokeh.

The DZOFILM Arles Prime series offers T1.4 high-speed performance, Vista Vision coverage, and consistent 5000K color for professional cinematography.

Professional T1.4 Full Frame/Vista Vision cine lenses with 16-blade iris, 5000K color consistency, and 95mm front diameter for high-end cinematography.

Professional DZOFILM Arles Prime Cine Lens Set (25/35/50/75/100mm) featuring a fast T1.4 aperture, PL mount, and Full Frame/Vista Vision coverage.

Professional 35mm T1.4 prime lens for Full Frame and Vista Vision sensors. Features a PL mount, cinematic bokeh, and consistent gear positioning.

DZOFILM Arles Lustre T1.6 cine primes for FF/VV. Features amber flares, vintage glow, 12K resolution, and 16-blade bokeh. Native PL mount (metric).

DZOFILM Arles Lustre 4-lens kit (25/35/50/75mm) for FF/VV. Features T1.6 speed, amber flares, and vintage character with modern 12K optical performance.

DZOFILM Arles Lustre 35mm T1.6 cine prime for FF/VV. Features amber flares, vintage glow, 12K resolution, and a native PL mount for cinematic excellence.

Professional 10-lens cine kit for full-frame sensors. Features APO design, T2.1 aperture, and 16-blade iris for organic, cinematic imagery. PL/EF mount.

Professional 10-lens DZOFILM Vespid Prime kit for Vista Vision/Full Frame. Features APO optics, consistent gears, and interchangeable PL/EF mounts.

The DZOFILM Vespid Prime 35mm T2.1 offers full-frame coverage, a compact design, and organic cinematic rendering for professional filmmakers.

Professional 5-lens cine kit for Full Frame/Vista Vision. Includes 12, 25, 35, 50, 75mm focal lengths with APO optics and interchangeable PL/EF mounts.

Professional 7-lens cine kit (16-125mm) for Full Frame and Vista Vision. Features APO optics, T2.1 aperture, PL/EF mounts, and compact cinema housing.

Professional 8-lens cine kit for PL/EF mounts. Includes 16mm to 125mm focal lengths, APO design, and 16-blade bokeh in a durable hard case. Metric scale.

DZOFILM Vespid Prime 9-Lens Kit for Full Frame/Vista Vision. Features APO optics, T2.1 aperture, and interchangeable PL/EF mounts for pro cinematography.

A compact large-format cine prime series with a fast T1.9 aperture, minimal focus breathing, Cooke /i support, and reliable cinematic performance for handheld, gimbal, drone, and studio use.

Professional 35mm T1.9 large-format cine lens with Cooke /i metadata, minimal focus breathing, and a compact 800g design for gimbals and drones.

Leitz HEKTOR 35mm T2.1 full-frame cine prime for Nikon Z-mount. Features interchangeable mounts, matched rendering, and professional cine mechanics.

Leitz HEKTOR 35mm T2.1: A full-frame cine prime for Sony E-mount. Features classic Leitz character, interchangeable mounts, and professional cine mechanics.