Cine primes

The DZOFILM Arles Prime series offers T1.4 high-speed performance, Vista Vision coverage, and consistent 5000K color for professional cinematography.

Professional 5-lens cine set (14/21/40/135/180mm) with T1.4 aperture, FF/VV coverage, and consistent 5000K color for high-end cinematic production.

DZOFILM Arles Lustre T1.6 cine primes for FF/VV. Features amber flares, vintage glow, 12K resolution, and 16-blade bokeh. Native PL mount (metric).

DZOFILM Arles Lustre T1.6 cine primes for FF/VV. Features amber flares, vintage glow, 12K resolution, and 270-degree focus rotation. Native PL mount.

Professional DZOFILM Pavo 6-lens anamorphic kit (28-100mm). Features 2X squeeze, T2.1 aperture, neutral coating, and PL/EF mounts for cinematic excellence.

Professional 40mm T2.1 2X anamorphic cine lens for Super 35. Features signature blue flares, PL/EF mounts, and compact design for gimbals and drones.

Professional 40mm T2.1 2X anamorphic cine lens for Super 35. Features neutral coating, oval bokeh, and interchangeable PL/EF mounts. Compact and sharp.

DZOFILM Pavo 2X Anamorphic A-Set (28/40/75mm) with T2.1 aperture and Neutral Coating. Professional cinema lenses with interchangeable PL and EF mounts.

Professional 10-lens DZOFILM Vespid Prime kit for Vista Vision/Full Frame. Features APO optics, consistent gears, and interchangeable PL/EF mounts.

Professional 10-lens cine kit for full-frame sensors. Features APO design, T2.1 aperture, and 16-blade iris for organic, cinematic imagery. PL/EF mount.

The Sigma Aizu Prime 40mm T1.3 is a world-first large-format cinema lens offering organic texture, modern sharpness, and a professional feet focus scale.