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The ARRI ALEXA 35 Xtreme Base Operator Set offers 660 fps high-speed recording, extended pre-recording, and the ARRICORE RGB codec for elite cinematography.

The ARRI ALEXA 35 Xtreme Operator Set offers 660 fps high-speed recording, extended pre-recording, and the ARRICORE RGB codec for elite cinematography.

The ARRI ALEXA 35 Xtreme Production Set offers 660 fps high-speed recording, extended pre-recording, and the ARRICORE RGB codec for elite cinematography.

The ARRI ALEXA 35 Xtreme Production Set offers 660 fps high-speed recording, extended pre-recording, and the ARRICORE RGB codec for elite cinematography.

Experience elite performance with the ARRI ALEXA 35 Xtreme. Featuring 660 fps recording and extended pre-recording for professional high-speed filmmaking.

Zeiss IMS LPL Mount with XD eXtended Data for Supreme Prime 135mm T1.5 and 150mm T1.8 lenses. Professional lens mount adapter for cinema workflows.

Experience organic large-format cinematography with the ARRI Signature Prime 47mm T1.8. Features LPL mount, LDS-2 data, and lightweight magnesium design.

ARRI Signature Prime 200mm/T2.5 delivers organic large-format images with natural skin tones, LDS-2 data, and a lightweight magnesium LPL mount design.

ARRI Signature Prime 280mm T2.8 lens for ALEXA LF. Delivers organic images, creamy bokeh, and LDS-2 data. Lightweight magnesium build with LPL mount.

ARRI Signature Prime 47mm T1.8 delivers organic images with natural skin tones and creamy bokeh. Lightweight magnesium build with LPL mount and LDS-2.

ARRI Signature Prime 25mm T1.8: Organic large-format cine lens with natural skin tones, creamy bokeh, lightweight magnesium build, and LPL mount system.

Experience organic, large-format imagery with the ARRI Signature Prime 40mm T1.8. Features natural skin tones, creamy bokeh, and the advanced LPL mount.

The ARRI Signature Prime 200mm/T2.5 delivers organic large-format images with natural skin tones, creamy bokeh, and advanced LDS-2 metadata technology.

Atlas Kaizen 100mm 1.5x Anamorphic Prime for LPL mount. Features T2.6 aperture, 65mm format coverage, and professional 104mm front diameter.

Atlas Kaizen 35mm Anamorphic Prime for large-format cinema. Features 1.5x squeeze, LPL mount, T2.6 aperture, and 65mm format coverage. Part of 5-lens set.

Atlas Kaizen 40mm 1.5x anamorphic prime for large-format and 65mm sensors. Features T2.6 aperture, LPL mount, and cinematic 2:1 delivery. 5-lens set only.

Atlas Kaizen 50mm Anamorphic Prime: 1.5x squeeze, LPL mount, and T2.6 aperture. Part of the 65mm format-capable 5-lens set for large-format cinema.

Experience premium 65mm cinematography with the ZEISS Panoptes 65 180mm T2.2. Features natural colors, silky bokeh, and full lens data for LPL mount.

The ARRI Enso Prime 105/T2.1 M offers exceptional close-focus performance and customizable bokeh with interchangeable Vintage Elements for professional cinema.

The ARRI Enso Prime 24/T2.1 M offers a versatile wide-angle perspective with a compact design and interchangeable rear elements for customizable looks.