Search results for: 'mod'

The RED KOMODO-X Z Mount features a 6K S35 Global Shutter sensor, 80fps at 6K, and a native locking Nikon Z mount for professional cinema workflows.

Professional 6K cinema camera kit featuring the RED Komodo-X with Z Mount, Global Shutter sensor, V-Lock power, and DSMC3 RED Touch 7.0 inch LCD.

The RED Komodo-X features a 6K S35 Global Shutter sensor, doubling frame rates to 6K 80P and 4K 120P for elite professional cinema and live broadcast.

Experience the next evolution of cinema with the RED Komodo-X. Featuring 6K 80P, Global Shutter, and integrated V-Lock for professional production power.

Sony VENICE 2 6K digital cinema camera with DVF-EL200 viewfinder, anamorphic and full-frame licenses. Internal 16-bit X-OCN and 4K ProRes recording.

Master large-format cinematography with the Sony VENICE CineAlta. Features a 6K full-frame sensor, 15+ stops of latitude, and internal 8-step ND filters.

Experience the RED V-Raptor [X] 8K VV with Nikon Z Mount. This V-Lock Production Pack features a global shutter sensor and RED Global Vision technology.

The RED V-RAPTOR XL [X] 8K VV combines global shutter technology with 8K large-format resolution in a production-ready XL body for high-end cinematography.

The Sony VENICE Extension System Mini features a built-in 8.6K full-frame sensor in a body 70% smaller than the original, ideal for handheld and gimbal use.

Experience the power of the RED V-Raptor [X] 8K VV Production Pack. Featuring a global shutter sensor and Gold Mount power for elite cinema production.

Experience the RED V-RAPTOR 8K VV, a flagship DSMC3 camera featuring a multi-format 8K sensor, 17+ stops of dynamic range, and 120 fps at 8K resolution.

Professional ARRI 0.5 Mod focus gear with 78 teeth and 6mm width. Designed for seamless integration with ENG and EFP lenses in broadcast environments.

ARRI 0.6 Mod Focus Gear with 64 teeth and 6mm width. Designed for Fujinon ENG/EFP lenses to ensure precise focus control in professional broadcast setups.

High-quality ARRI 0.8 Mod follow focus gear with 35 teeth and 25mm face. Ideal for larger prime lenses and 35mm zooms in professional cinema setups.

Professional ARRI 0.8 Mod follow focus gear with 43 teeth and 6mm face width. Designed for precision focus pulling with cinema lenses and FF-series units.

Professional ARRI 0.8 Mod gear with 35 teeth and 10mm width. Optimized for smaller prime lenses and 16mm zooms in follow focus systems.

ARRI 0.8 Mod Follow Focus Gear with 64 teeth and 6mm width. Optimized for larger prime lenses and higher transmission ratios on the FF-5 HD system.

Professional ARRI 0.5 Mod gear with 78 teeth and 10mm wide face. Optimized for Canon and Angenieux ENG lenses. Compatible with ARRI Follow Focus systems.

ARRI 0.6 Mod 64 Tooth Follow Focus Gear with 10mm wide face. Precision-engineered for Fujinon ENG lenses to ensure smooth, reliable focus control.

Professional swing-away and tilt module for ARRI LMB 6x6. Features 10-degree tilt for reflection control and 19mm studio rod compatibility.

Professional swing-away and tilt module for ARRI LMB 6x6. Features 10-degree tilt for reflection control and 15mm studio rod compatibility.

The ARRI Unit Bag Small II is a compact, airline-compliant gear bag featuring modular accessory pouches and exterior pockets for professional organization.

Enhance your ARRI ALEXA 35 with the PDM-1 Power Distribution Module. Adds seven integrated power outputs (24V and 12V) without extra cables or brackets.

Remote cable for RED KOMODO (X) and V-RAPTOR cameras. Compatible with the perfect fit Wooden handgrip with switch (0390-0115), Remote switch for 19 mm or 20 mm tubes (0390-0160) and Separate remote switch (0390-0140) to offer a start/stop connection