Cine primes

The Angenieux Optimo Prime 40mm T1.8 offers high-end cinema design, full-frame coverage, and legendary optics for demanding professional productions.

The ARRI Master Anamorphic 40mm T1.9 lens delivers exceptional optical performance with minimal distortion and cinematic bokeh for 35mm digital and film.

Experience the ARRI Master Prime 40mm/T1.3. Co-developed with ZEISS, this lens offers unmatched speed, high resolution, and zero geometric distortion.

Experience organic large-format cinematography with the ARRI Signature Prime 35mm T1.8. Features LPL mount, LDS-2 data, and lightweight magnesium housing.

ARRI Signature Prime 40mm T1.8: Organic large-format cine lens with LPL mount, LDS-2 data system, and creamy bokeh for natural, emotionally engaging images.

Experience organic large-format cinematography with the ARRI Signature Prime 47mm T1.8. Features LPL mount, LDS-2 data, and lightweight magnesium design.

Experience the legendary Leica M character with the Leitz Hugo 35mm T1.5. A compact, fast LPL mount cine lens designed for full-frame cinematography.

ZEISS Panoptes 65 40mm T2.2 cinema lens for large format sensors. Features natural skin tones, silky bokeh, LPL mount, and ZEISS eXtended Data technology.

The Sigma Aizu Prime 40mm T1.3 LF is a high-speed large-format cinema lens offering consistent T1.3 brightness, organic texture, and PL mount precision.

The Sigma Aizu Prime 40mm T1.3 is a world-first large-format cinema lens offering organic texture, modern sharpness, and a professional feet focus scale.

ARRI Ensō Prime lenses, lightweight LPL cine primes from 10.5-250mm with close focus, smooth bokeh and tunable vintage looks.