Search results for: 'rig'

Sony VENICE 2 with 6K full-frame sensor. Features 15+ stops of latitude, dual base ISO, and internal 16-bit X-OCN recording in a compact cinema body.

Sony VENICE 2 6K digital cinema camera with DVF-EL200 viewfinder, anamorphic and full-frame licenses. Internal 16-bit X-OCN and 4K ProRes recording.

The RED V-RAPTOR XL 8K S35 is an all-in-one cinema camera featuring a high-speed 8K Super35 sensor, internal ND filters, and dual-voltage power support.

The RED V-RAPTOR 8K S35 combines a high-speed Super35 sensor with 8K resolution, 16.5 stops of dynamic range, and the advanced DSMC3 cinema platform.

The Sony VENICE Extension System Mini features a built-in 8.6K full-frame sensor in a body 70% smaller than the original, ideal for handheld and gimbal use.

Experience the power of the RED V-Raptor [X] 8K VV Production Pack. Featuring a global shutter sensor and Gold Mount power for elite cinema production.

Protect your ARRI TRINITY or artemis rig with this Pelican 1615 Air case. Designed to fit original foam inserts for Cine Broadcast and EFP HD systems.

Mount accessories behind your ARRI ALEXA 35 with the RAB-2 Rear Accessory Bracket. Improve camera balance and organization for professional film sets.

Securely mount V-Lock batteries and power accessories with the RED V-RAPTOR Tactical Top Plate. Features Aux outputs, E-Fuse safety, and mounting threads.

Enhance your V-RAPTOR or cinema camera with RED Production Grips. Dual ergonomic handles provide adjustable, comfortable support and superior mobility.

Optimize your RED V-RAPTOR with this Quick Release Platform Pack. Features Arca-Swiss mounting, 15mm LWS support, and a secure safety lock system.

Vocas side cage bracket for RED V-RAPTOR camera.

Vocas side cage bracket kit (2 pieces) for RED V-RAPTOR camera.

Enhance your RED V-RAPTOR with Side Ribs. Adds 1/4-20, 3/8-16, and rosette mounting points for accessories. Requires Tactical Top Plate and Platform Pack.

Professional ARRI 0.5 Mod focus gear with 78 teeth and 6mm width. Designed for seamless integration with ENG and EFP lenses in broadcast environments.

Professional ARRI power cable connecting UMC-3A CAM to RED ONE cameras. Supports Run/Stop and Tally functions. Length: 0.7m. Requires PSC cable.

ARRI 0.6 Mod Focus Gear with 64 teeth and 6mm width. Designed for Fujinon ENG/EFP lenses to ensure precise focus control in professional broadcast setups.

Professional ARRI Titanium PL LDS Lens Mount with integrated LBUS connector for ALEXA Mini and AMIRA. Supports lens metadata and cforce motors.

Connect ARRI RIA-1, cforce mini RF, or cmotion cPRO to ALEXA Plus cameras for remote REC start/stop and status info via Hi-5 or cPRO hand units.

This bracket fits on the side of the RED KOMODO or KOMODO-X, either at the left or right side. With Arri style rosette, two ¼” and two 3/8” threaded holes.

Top or bottom bracket for RED KOMODO, fits directly on the Vocas side bracket (0600-0100). Can be mounted pointing to the front or rear of the camera. Offers many Arri style 3/8" and 1/4" style threaded holes.

Support for Vocas Canon R-mount to PL adapter (0900-0018), fits directly on the Vocas side cages (0600-0100) when mounted on a RED KOMODO.

Connect external timecode sources to your RED camera via the 9-pin EXT port. This 3ft (90cm) cable ensures precise sync for professional productions.

Consists of two side cage brackets (0600-0100) and two top or bottom brackets (0600-0110). The side cage brackets can be mounted to the left and right side of the camera, using the two M4 attachment points the camera provides.